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Emily Pelleymounter, creative director of video, The Dodo

For ensuring that the bleat goes on

Willow (left) and Bambi,
a pair of baby goats rescued from a barn fire by New Jersey’s Goats of Anarchy animal sanctuary, have racked up more than 150,000 likes on the Dodo’s Instagram handle. [Photo: Jason Pietra]

BY J.J. McCorvey2 minute read

“When you’re watching a Dodo video,” says Emily Pelleymounter, “you know it’s a Dodo video, regardless of the platform it’s on.” Since joining the four-year-old digital media company in 2015, Pelleymounter has led the effort to professionalize the content under the Dodo’s increasingly sprawling brand, which leverages cute, funny, and heart-wrenching pet videos to support animal rights. Pelleymounter also oversees the look of the Dodo’s recently launched Spanish-language sister channel, El Dodo, along with programs such as Pittie Nation and Odd Couples, which are currently among the most loved original series, per episode, on Facebook Watch. The Dodo, which regularly hits 2 billion monthly video views across its social channels, is now partnering with Animal Planet for a six-episode, one-hour TV show, Dodo Heroes, debuting this summer.


Related: See The 100 Most Creative People In Business 2018


Many of the Dodo’s videos are user-generated or come from other destinations. This often means the site must repackage viral-worthy clips floating around the internet with polished graphics, additional footage, interviews, and links to relevant shelters or adoption agencies. To make each video Dodo-worthy, Pelleymounter’s team has figured out the formula to make its avid social media following not only watch but care about these stories.

1. Keep it fun The Dodo drives a lot of its engagement with videos that are simply amusing to watch. For example, this video of a sheep playing a game of ball with a human, which came from the user-generated digital video site Jukin Media, received nearly 160,000 Instagram likes in just four weeks.

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ABOUT THE AUTHOR

J.J. McCorvey is a staff writer for Fast Company, where he covers business and technology. More


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