Daniel Taroy

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Fast Company

“Lost City Of Z” Director James Gray On Being Outside Of Hollywood’s Club

With <i>The Lost City of Z</i>, the filmmaker takes a creative leap that feels both daring and familiar at once.

Fast Company

“The Blackcoat’s Daughter” Director Oz Perkins On Why The Best Scary Movies Are Sad Movies

Plus, what he really thinks about “Get Out,” “The Babadook,” and Donald Trump.

Fast Company

“Land Of Mine” Director On Making A War Movie In The Age Of Trump

“We shouldn’t hate,” warns Martin Pieter Zandvliet, whose World War II drama is nominated for a Best Foreign Language Film Oscar.

Fast Company

“Lion” Writer Luke Davies On The Dance Scene That Could’ve Been (And His Oscar Nom)

The adaptation of Saroo Brierley’s memoir <em>A Long Way Home</em> has garnered six Oscar nominations.

Fast Company

Don’t Call The Super Bowl Halftime Show Lady Gaga’s Comeback

Hang on to your pink hat–at least, for now.

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Fast Company

“I Wish We’d Made ‘La La Land’ Instead”: Josh Thomas On “Please Like Me” Season 4

The Australian comedy, which has covered everything from abortion to mental health, delivers the series’s most bittersweet installment yet.

Fast Company

A Reboot Worth Making: How Netflix’s “A Series Of Unfortunate Events” Gets It Right

Director Barry Sonnenfeld and Lemony Snicket himself on why they wanted to do a “darker, sadder” version of the Baudelaire orphans’ story.

Fast Company

Adult Drama Through A Child’s Eyes: How “A Monster Calls” Found Its Difficult Balance

“We need fantasy to understand reality,” says director J.A. Bayona

Fast Company

The 2017 Pirelli Calendar With Nicole Kidman and Julianne Moore Is Raw And Unretouched

This year’s highly anticipated calendar is quietly revolutionary in its depiction of natural beauty and emotional nakedness.

Fast Company

How Olatz López Garmendia Filmed A Documentary In Cuba Without Permission

Although its borders are opening up, Cuba still grapples with deeply rooted problems as this HBO doc explores.

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