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I met 2050 me, and here’s what I learned

To help people wrap their minds around what the future holds, a Smithsonian museum has devised an online experience to help project your mind three decades forward.

I met 2050 me, and here’s what I learned
[Images: courtesy Goodby, Silverstein & Partners/produced by Unicorns & Unicorns]

I’m staring at a video of myself, 30 years from now: My smile lines are more pronounced, my cheeks are slightly puffier, and I look a bit like my mom. “I can’t believe it’s really you,” Future Me says on my computer screen. “Sorry to shock, but even with technological advances in my time, humans are still aging,” she adds, before proceeding to paint me a picture of what the world looks like in 2050.

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Back in November 2021, the Arts and Industries Building in Washington, D.C., hosted a striking exhibition called Futures. Boasting 150 objects, ideas, and technological innovations collected from 23 Smithsonian museums and research centers, the exhibition’s goal was to help visitors conjure up a concrete vision of what lies ahead—and increase their sense of agency. The exhibition closed in July this year, but parts of it are now living online, in the form of an experiment called Your Future Guide. Instead of recycling the contents of the exhibition into a drab website, or one of those miserably slow and buggy virtual tours, the museum partnered with ad agency Goodby, Silverstein & Partners to translate the content into a curious experience that helps people project themselves into the future and visualize their own world in 2050.

Before I go any further, I should note that the fully personalized experience—with your own aged avatar—isn’t available to the public. In other words, you have until September 30 to peek into your own future (the experience will then disappear from the web), but instead of being guided by your own aged self like I was, you’ll be guided by a random person. That’s because current technology requires too much server power for something like that to run across many devices at once—only a dozen VIPs even got to experience it. But even without yourself to guide you, the concept offers a fascinating new way to connect with people from afar, whether that’s for museums looking to reach a bigger audience, or educators looking for more engaging, immersive ways to teach.

[Image: courtesy Goodby, Silverstein & Partners/produced by Unicorns & Unicorns]
“We wanted a way to bring Futures to audiences that couldn’t come visit in person, and thought it would be fun to play with and deconstruct the idea of an online exhibition,” says Rachel Goslins, the director of the Arts and Industries Building and a documentary filmmaker. From the 150 objects displayed at the exhibition, the team picked out 20 of the “most popular, most resonant” ones, like Capsula Mundi’s biodegradable burial pods, or a life-size prototype of the Hyperloop.

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[Image: courtesy Goodby, Silverstein & Partners/produced by Unicorns & Unicorns]
Even if you missed the exhibition, the content here is recycled from it, and comes with an added personality test. The experience starts with 10 questions designed to take a pulse on your interests, values, and desires. Depending on your answers, you may then be introduced to biodegradable mycelium bricks; a “water harvester” that can turn air into water; a customizable prosthetic leg; or a fully electric air taxi designed to reduce traffic and pollution while drastically cutting travel time.

[Image: courtesy Goodby, Silverstein & Partners/produced by Unicorns & Unicorns]
The point of the experience is for people to get a real sense of what life will be like in 2050 all the while rooting it in the present with examples, like water harvesters, or burial pods, that are currently in the works. “Even though what I showed you was almost 30 years in the making, the technology for the innovation already exists in your time,” Future Me says at the end of my tour. “I guess you could say the future starts now, with the choices you make today.”

I must admit I wasn’t hooked until the very last moment, when Future Me prompted Present Me to make a pledge. (I committed to reducing my use of plastic over the course of the next year.) “There are many possibilities for what the future can be, and our choices impact everything, so let’s both commit to something that helps make it what we want,” Future Me said. “I know you can do it because I know you better than anyone.”

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[Image: courtesy Goodby, Silverstein & Partners/produced by Unicorns & Unicorns]
I realize this is all scripted to tug at my heartstrings. I also realize the whole life-coaching aspect of it feels a bit too trite, but actually, self-visualization and mental imagery have increasingly been used as cognitive behavior therapy techniques to enhance motivation and prompt positive behavior. The problem is that not everyone can picture themselves as far out as 30 years into the future. “Unless you can imagine or believe it’s possible, you’re not going to be empowered and inspired to do it,” says Goslins.

Of the 625,000 people who visited the Futures exhibition during its run, she says 83% of visitors said they were able to imagine a better future, and 80% of visitors said they were inspired to take direct and concrete action to build the future they want to live in. Whether or not those pledges will turn into action is the million-dollar question, but with Your Future Guide, the museum is hoping it can motivate even more people from afar.

Similar techniques—whereby exhibition content is translated into fun and engaging online experiences—could prove particularly useful for cultural institutions looking to make content more accessible. This could mean “bite-size,” game-like experiences that meet people where they are, and “where they are is in their living rooms,” says Goslins. “If we don’t get it right, we’re going to lose people and become less relevant.”

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In the end, Your Future Guide was intended as a provocation. But as the technology becomes cheaper and easier to use, Goslins sees opportunities that transcend museums, like online education experiences designed to foster more personal and emotional connections. “The for-profit world does this so well, it sucks people in and gets them addicted to online content,” she says. “I want the cultural and nonprofit world to be as innovative in that area.”

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