In March 2020, as the pandemic shut down New York, designer David Rainbird watched—along with the rest of the world—as the headlines kept getting worse. “Events that seemed unthinkable only a few days before were actually taking place,” he says. “As the news cycle kept moving, I just wanted to hold onto them in some way.”
In a project called 2020 Infodemic, he gathered a single headline from each day of the year. January 1: “Seafood market in China’s Wuhan shut down over pneumonia scare.” January 10: “China reports first death from new virus.” January 12: “China pneumonia outbreak not spreading at present: WHO.” January 13: “Thailand finds Wuhan novel coronavirus in traveler from China.” January 24: “China is building a 1,000-bed hospital in 6 days to deal with the coronavirus outbreak.” January 31: “Worldwide cases overtake 2003 SARS outbreak.”
As others look at what happened in detail, as inThe New Yorker‘s 30,000-plus-word essay “The Plague Year,” Rainbird’s project presents how the year unfolded concisely. “I wanted something that could fit on a poster, essentially,” he says. Somebody could look at that poster in 10, 20 years and learn something from it about how quickly a pandemic can take hold or get out of hand.”Rainbird is now continuing the project for 2021 and creating a poster for 2020 that will soon be for sale on the project’s website. The poster presents the headlines as a single block of text. “The poster version is one list of 366 headlines with no breaks,” he says. “It has the kind of feel of a war memorial—when you go to something like the Vietnam War Memorial—you just see text going on and on and on and on and on—or the 9/11 memorial. I wanted to have that feel, in a way. It’s kind of overwhelming, but it’s full of detail as well.”
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