American Express has a new logo, but it probably slipped under your radar. It’s part of a complete brand redesign led by Pentagram partner Abbott Miller. The credit card company has swapped out its blue box with a gradient for . . . a blue box without a gradient.
“We didn’t want people to say, Oh, did you see that new logo [ugh],” says Miller. “It was more if you cleaned the smudges off your lenses. It’s cleaner. Clearer.”
While Pentagram’s work doesn’t look significant at a glance, when you actually analyze the logo itself, you can see that the firm has subtly reengineered the word mark to break American Express out of its own blue box. “I felt like the old blue box was sort of like a punctuation mark in their communications, from an older sensibility about being low-key about the branding,” says Miller. “What we’ve given them are tools to make their voice more assertive.”
At the same time, in the age of smartphones and apps, branding needs to easily shrink, too. The old blue box didn’t work at smaller scales–like online checkout, where the user has to select their credit card from several minuscule logos. “You line up Visa, Mastercard, and then you have this AMERICAN EXPRESS that’s illegible,” laughs Miller. “So you know, that must be AmEx!”
“It’s interesting, a lot of the research we were looking at with that, across all categories, people traditionally–more mature consumers, as well as millennials–everyone, really, prefers the words ‘American Express.’ The full words. Not ‘Amex,'” says Miller. “[But] you know, there’s a kernel of future evolution [for the brand]. No one is ready to commit to that yet, but as you see it, and gain familiarity with it, it may be suggestive of a contraction with a future life that is more poignant.”