For a decade, Google has merely dabbled with hardware. Its phones were designed by external companies. Its landmark products like Glass were more novelty than anything. It announced, then canceled ambitious hardware projects. But under VP and head of hardware design Ivy Ross, Google has gotten it together, with a line of soft, approachable gadgets that challenge Apple in both their quality and aesthetics.
Considering all of that, perhaps it’s no surprise that Google is hosting its first pop-up at the influential Salone del Mobile design fair in Milan. Salone–also known as the Milan Furniture Fair–is the world’s largest furniture trade show. It’s a place where designers from across the world assemble to share experiments on the edge of art and design, in relation to objects, spaces, and, yes, furniture, too. It’s a place to get a peek at the future. Being in Milan, then, is a chance to bolster Google’s cred as a design company.
“The reason we chose to be there is that we just really launched our first full collection of a diverse group of hardware products last year, and the world still doesn’t think of Google as making physical consumer products,” says Ross. “If we want to world to know, so the Google name becomes broader with its association, then Milan is a perfect place to do it.”
Google’s installation at Salone is called Softwear. The project is a collaboration with trend forecaster Lidewij Edelkoort, whose 1998 project of the same name envisioned the future of electronics as covered in cloth and soft, neutral colors. In contrast to the black plastic boxes of early ’90s technology, Edelkoort imagined electronics as cozy extensions of our environment. At the time, she even photographed a sort of proof of concept inside a Paris apartment to demonstrate the idea behind Softwear. Before Google launched its cloth-covered line of products in 2017, Ross showed Edelkoort the company’s new design ethos–and Edelkoort reminded Ross of her old work with Softwear. The project immediately came back to Ross. Edelkoort had nailed a trend, albeit a few decades early. Eventually, Google tapped Edelkoort to curate its Salone show, also titled Softwear.
The installation spans three rooms. One features photographs–Edelkoort literally reshot her 1998 Softwear series in the same Paris apartment, but this time, with Google products. Another features textiles–she also commissioned Dutch textile designer Kiki van Eijk to produce a series of still life wall hangings portraying Google hardware. Finally, there’s a third space, which sounds a lot like a living room, where people can cozy up with a liberal dose of hygge and Google products.
Google isn’t the only tech company at Salone; Sony, for instance, also has an installation. Yet Google is literally placing its hardware among couches–so soft!–and positioning its tech as downright cuddly in an cultural moment when online trust is less certain than ever. Each device is its own tacit statement from Google: “We are different, and we understand you.”
That’s not how Ross sees it, though. “I think a lot of it is, we try to create products that have a sensory experience, and we’re all craving that right now, to ignite our senses,” she says.
Ross hopes that Softwear reads less like a product showcase than an earnest attempt for Google to be part of the discourse at the most influential design fair of the year. “We want to make this a provocative discussion. Because I think tech is not going away,” says Ross. “[But] I think it has to be technology that enhances our humanity. And let’s talk about it, what does that look like? What does that feel like?”