Really, what do we expect from grocery store marketing? Unless you’re a Brit at Christmas, or a German cat fan, the answer is probably, “not much.” What we typically get is a variety of takes on freshness, friendliness, and oh so many moms. But leave it to the French to turn a chore into a pretty damn cute love story that slyly sells you on food quality. Onward!
What: A French supermarket chain shows us how love conquers all, even junk food
Who: Intermarché, Romance
Why We Care: As lovely as the spot is, Christophe Lichtenstein, cofounder and CEO of the appropriately named agency Romance, told Co.Create earlier this week this campaign is a major strategic shift for Intermarché. “The Intermarché brand moved out of the retailers price war to position itself as the purchaser of quality,” he said, noting that consumer insight indicated French shoppers were concerned with more than just price. “One in two French people consider the retail market unreliable, and many of them say they are ready to consume less in order to consume better-quality products.”
What: A unique interactive experience for Amazon’s show The Man in the High Castle
Who: Amazon Studios
Why We Care: What better way to get across the reality of an alternative history of the U.S. (in which Nazi Germany and Imperial Japan won WWII), than through what citizens might be able to find on the radio? Cool, sure. But also done well enough that it actually fooled some unsuspecting Trump fans.
What: A new ad for Alien: Covenant that crosses into IRL
Who: 20th Century Fox, 3AM, RSA Films, AMD, 48 Communications
Why We Care: Well, first of all Alien: Covenant. But also, as they did with Matt Damon and The Martian, here RSA and 3AM get Michael Fassbender to do a little extra for the marketing by creating a stand-alone piece that helps introduce us to the world of the film in a way we’re oh-so familiar–advertising. A genius-yet-super-weird integration with AMD, an official brand partner for the film.
What: An interactive robotic art installation at SXSW to help promote the series Genius
Who: National Geographic, DeepLocal
Why We Care: Robots! For SXSW, Einstein’s chalkboard became interactive robotic art, with a robotic arm sketching selfies from submitted Twitter photos through an algorithm using Einstein’s words, symbols, and equations as pixels.
What: A fashion hype video that David Attenborough might even approve of
Who: W magazine
Why We Care: If Zoolander taught us anything, it’s that the fashion industry is ripe for parody (also: sequels are hard). Here we get a little satirical self-immolation in the form of a fun, Planet Earth-style look at the streets of Paris during Fashion Week.