The Motor City has 33,529 vacant houses. To most of the country, that’s
33,529 reasons to wring its hands over What To Do About Detroit. To
architects, it’s a gold mine.
The fellows bought the house at a foreclosure
auction for a whopping $500. It was literally a shell — no doors, no
windows, no electricity, no plumbing, no stairs. There she is. What a beaut!
And the outdoor view:
In About-Face, Rosalyne
Shieh cut a huge diagonal swath through the house, inserted
fabric-wrapped stairs, and topped it off with a bubble skylight. There’s
a blighted property next door, but once it’s torn down, the staircase
will afford pleasant new views of the neighborhood.
Catie Newell stuck almost a thousand glass tubes (which look a lot like
crack pipes) in the house’s garage for her
(top and below). According to U of M’s Web site, it
“utilizes the typical mediator of glass in an unusual configuration
allowing for an altered understanding of volume and exchange.” That’s architecture-speak for “It does cool things
The house has been passed on to a Hamtramck design collective, which will take on further architectural “interventions.” It’s refreshing to see this sort of thing in a
city practically defined by its failures (cars, crime,
RoboCop 3). We’ve all heard the phrase “design loves a depression.” By
that logic, Detroit should be a design utopia. And it’s had its
moments. See examples here and here.
But the city’s hemorrhaging people. The population has skinnied
down from 1.85 million residents in 1950 to 951,270 in 2000 (a figure
expected to slip further in the 2010 Census). So even though the landscape’s
perfectly suited to a creative surge, the talent pool would rather create elsewhere. Who can blame them? Detroit, as we all know too
well, doesn’t do utopia.