New Green Card to Suggest Greener Pastures for Immigrants?

The U.S. government unveils a new green card. It shows a lot more coherence than immigration policy itself.

Redesigned Green Card


The government hasn’t shown much love for immigrants of late, what
with Arizona passing the “Segregation now, segregation tomorrow,
segregation forever” bill, and 10 other states hot on the trail.

when U.S. Citizen and Immigration Services unveiled a
redesigned green card yesterday
we braced ourselves. Surely it would involve some horrid, jingoistic mashup of eagles and
flags and rah-rah-U.S.A. crap. Right? Luckily, improbably, we were wrong.

Green Card

no mistake. Tech-wise, the green card is plenty nativistic. It was
designed to “deter immigration fraud
and incorporates “several major new security features” to that end.
Among them: laser-engraved fingerprints; high-res micro-images on the
back of the card that are nearly impossible to reproduce; and embedded
radio frequency identification that lets border protection officers scan cards from afar like a sort of digital Panopticon.

from a pure aesthetic standpoint, the card has hope written all over
it. The most prominent image is of the Statue of Liberty. The Statue of
Liberty, of course, is one of the first things you see when you sail
into the New York harbor and has stood as a sunny welcome sign to
shipboard immigrants for more than 100 years. It’s the symbol of the American Dream. Emblazoning it on the green card reads like a greeting to America with great, big, open arms.

the back of the card, the high-res micro-images depict state flags and
U.S. presidents, but they’re so small, they might as well be kittens. Not exactly a plea for patriotism. Contrast that to the U.S. passport, which was redesigned in 2007 after
six years of planning, and resembled, well, a jingoistic mashup of
eagles and flags and rah-rah-U.S.A. camp


Most importantly, the card is actually green. Over
the years, it has been pink, beige, blue — pretty much anything but
green. (Green was among the earliest colors, though not the first one.) Restoring
the card to the color for which it was named suggests some move toward coherence. Now if only immigration policy could do the same.


About the author

Suzanne LaBarre is the editor of Co.Design. Previously, she was the online content director of Popular Science and has written for the New York Times, the New York Observer, Newsday, I.D