Santiago Calatrava has often been called the most
lyrical of the current crop of starchitects. Today, the New York City
Ballet announced that it will give the Spaniard a chance to apply his
architectural and engineering skills to the most lyrical of the
NYCB’s ballet master Peter Martins has invited Caltrava to design
several multi-functional stage sets for four world-premiere ballets
during the company’s spring season, which begins on May 4. The sets are
expected to embody Calatrava’s recurring themes of movement and flight,
an inspiration made visible in his work for the Milwaukee Art Museum,
whose roof sports two steel “wings” made of 36 fins that can open when
the wind off Lake Michigan isn’t too stiff, and his design for the
transportation hub at the World Trade Center, whose spiky roofline was
inspired by the idea of a child releasing a dove.
By designing for the ballet, Calatrava joins an elite company of
architects. Philip Johnson was the only previous architect to be
invited to design for the ballet, and that was way back in 1981.
Fittingly, the ballet’s season is centered around the theme of
“Architecture and Dance.” It will feature seven world premiere ballets,
and four commissioned scores, all dedicated to Lincoln Center’s 50th
anniversary. Architecture will be a theme outside the halls as well, as
the arts complex is nearing the completion of its multi-year rehab by
architectural firm Diller Scofidio and Renfro.
Calatrava’s set designs will be the staging for ballets by Benjamin
Millepied, premiering May 22; Melissa Barak on June 5 (for whose ballet
fashion designer Gilles Mendel will create costumes), Mauro Bigonzetti,
premiering June 10; and Peter Martins, premiering on June 22. The
Martins work will be set to a commissioned score for violins by
Esa-Pekka Salonen, formerly of the Los Angeles Philharmonic, and now
with the London Philharmonic.
Calatrava’s sets will be built in a warehouse in Manhattan.
[Photo by Martien Mulder]LT