• 08.03.09

Why Consumer Products for Women Shouldn’t Necessarily Be in the Pink

Yes, yes, it’s a color we automatically associate with girls. But that doesn’t mean every product for women has to be imbued with a rosy hue.

pink products

We now have pink ribbons for breast cancer awareness (and the KitchenAid and Dyson appliances to match), CodePink, a women’s campaign for peace, and shocking Schiaparelli pink reemerging on the 09/10 catwalks. Pink is used to connote female the way cats spray to mark their turf!


Women deserve representation across all facets of design–from electronics to tools, fashion, home products, and automotive. But that female expression is a heavy burden for one pretty color chip to carry. After all, a little known fact is that prior to the 1920s, pink was for boys and blue was for girls.

pink razr

Furthermore, this powerful design expression is not exclusive, but inclusive of the male population. This new design language embraces: comfort, meaning, joy, clarity, sensual shapes, philanthropic purpose, and earth-minded mission statements. This new mission provides a soft landing to these harsh times and could never be defined by one color alone.


The author would like to state that she actually loves pink, but doesn’t want the hue to suffer under the undo pressure of representing an entire gender. After all, there is no one exclusive hue willing to shoulder the weight of the entire male gender.

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Laura Guido-Clark is an expert in the skin of consumer products–their color, materials, and finish. This is perhaps the area of industrial and textile design that requires the greatest understanding of the human heart. Laura has spent her life studying the always new and always surprising ways that human beings react to the look and feel of any given product.

Laura is the rare color and finish consultant whose expertise includes not just textiles but heavy manufacturing industries such as automotive, electronics, and major household appliances. This experience has given her vast knowledge of the raw materials and processes used in product categories across the board. Throughout her twenty-plus year career, Laura has analyzed the conscious and unconscious influences that drive buying decisions. Her ability to translate those influences into prescient forecasting and, ultimately, into concrete applications of color and finish has helped companies such as Samsung, Apple, Mattel, and Toyota design products that resonate with consumers and succeed in competitive markets.