Over the past few decades, we’ve gotten accustomed to “Mo’Better Tech” as the only way forward. As a culture, we are conditioned to consume and throw away good, functioning products in favor of the latest “gadget.” (I hate the term “gadget” but that’s a different story). As result, as we move through life, we leave an endless trail of discarded objects around the globe. But apart from the environmental issues surrounding technology disposal, what is the problem with Mo’Better Tech?
First, there is the illusion that “if it’s new, it must be better.” Sure. Then along comes Vista or Adobe Illustrator 9. Need I say more?
And then there are the upgrades. Take my word, if it works, never upgrade! At NewDealDesign, there is one hard and fast rule: “Thou shalt not upgrade a computer.” If you want to see me really lose it, you stop by when one of my designer-geeks innocently tries to “upgrade” a PC by installing the latest software or upgrading the RAM. It never works! I have yet to see a PC recover from these acts of geeky benevolence.
Geeks love to think that if a piece of code works well, a more elaborate one will work even better. They tend to forget that the last version of software they wrote was just fine and until it really makes sense to make a new one, they should refrain from doing too much. Making a bloated piece of technology is not cool; it’s wrong!
Here’s one of my favorite examples: In 1990, I got my first copy of Adobe’s Photoshop, beta version. It was 426 KB heavy and ran on Mac Plus. I remember having to calculate the file size, the OS size and the application size to see if I could do the work. Despite these limitations, it did 90% of what we do today on Photoshop… And if you think I’m just a Luddite, I should note that at the time, I worked in the development team of Scitex, the company that more or less invented everything we know about colored pixels.
The second fallacy of the Mo’Better Tech ideology is the notion that new features create new products. Among true believers, there’s a core belief that every technology should become a product. While there are very few things that Silicon Valley, Japan’s technology giants, Israel’s booming high-tech industry, and rising Chinese global brands have in common, a central one is a total devotion to features and a consistent disregard for everything else.
The term “value” is seldom understood as the non-monetary sense of desire for their product. An appeal to a common-sense humanity is something rarely demonstrated in meeting rooms. But products must have cultural grounding, demonstrate a true need, and inspire a real lust in order to make it through increasingly difficult barriers. A recognition of the cultural validity of a product is the problem Mo’Better Tech does not get. But that’s when a feature-set becomes a true product.
The final problem with Mo’Better Tech is that it simply isn’t working any longer. New technology, regardless of its merits, will need to fight harder than ever for the consumer’s pocket, mind, and spirit. People whose budgets for discretionary purchases are shrinking, are growing tired of whiz-bang technology that promises more than it can deliver. While feature-fatigue, even among the tech savvy, is already a recognized term, even the purest of enterprises, like the OLPC, have had questionable success, in part due to the questioning of the merits of technology at schools in the Third World. Meanwhile, planned obsolescence of major information appliances is no longer acceptable economically or environmentally.
Instead of producing tech products simply because we can, we now must strive to build really good products with authentic cultural groundings, that have value and last longer. Consumers will pay more for truly better technology. There is no other way. Mo’Better tech has reached its dead end.
Gadi Amit is the president of NewDealDesign LLC, a strategic design studio in San Francisco. Founded in 2000, NDD has worked with such clients as Better Place, Sling Media, Palm, Dell, Microsoft, and Fujitsu, among others, and has won more than 70 design awards. Amit is passionate about creating design that is both socially responsible and generates real world success.