Innovation

The CG wizards at Zoic discuss making a human-to-werewolf spectacle for a Eli Roth’s new Netflix series where the gore brief was simple: more.

It may not be possible to break the art of award-winning creativity down to sheer math, but Columbia University’s Sudhir Venkatesh and students undertake a data-centric analysis of who wins at Cannes and what patterns and lessons are available for those looking to take home hardware.

IBM’s research department has just released a stop-motion movie created by rearranging molecules. (No atoms were hurt in the making of this movie.)

The rise of 3-D printing, argues TBWA’s Aki Spicer, forces ad practitioners to broaden their vision of brand expression--and take a hard look at whether their outputs are adding value.

In what a source describes as a quick deal, the teen-focused YouTube channel would presumably host content from both DreamWorks and Awesomeness and help launch new material. Plus, if all goes to plan, DreamWorks could shell out $117 million more. In an interview earlier this year, AwesomenessTV creator Brian Robbins forecasted his channel's success.

The veteran comedic performer turned writer and director has an interesting process for writing screenplays: He locks himself in a hotel for a week and bangs out a draft. Could it be that easy?

Kevin McShane likes cartoons. A lot. So much so that he’s been drawing himself in the style of more than 100 different cartoons for the last two years.

Recording artists from Dave Grohl and Phoenix to your local indie band seek That Elusive Quality promised by magic rooms and pre-loved gear. But are they wasting their time?