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 <title>Raul Perez</title>
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 <title>Can Sony&#039;s Lia Vollack Save the Music Industry?</title>
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&lt;strong&gt;Lia Vollack is running&lt;/strong&gt; late. Jonathan Palmer, a licensing executive for Columbia Records, sits in the waiting area outside her corner office on the top floor of a converted soundstage on the &lt;span style=&quot;border-bottom: green 1px dotted&quot;&gt;Sony&lt;/span&gt; lot in Culver City, California. He has been there for 40 minutes. 
&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.fastcompany.com/magazine/129/track-star.html&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <category domain="http://www.fastcompany.com/tag/music-industry">Music Industry</category>
 <category domain="http://www.fastcompany.com/tag/lia-vollack">Lia Vollack</category>
 <category domain="http://www.fastcompany.com/tag/jonathan-palmer">Jonathan Palmer</category>
 <category domain="http://www.fastcompany.com/tag/columbia-records">Columbia Records</category>
 <category domain="http://www.fastcompany.com/tag/nick-amp-norah-soundtracks">Nick &amp;amp; Norah soundtracks</category>
 <category domain="http://www.fastcompany.com/tag/sony-pictures-entertainment">Sony Pictures Entertainment</category>
 <category domain="http://www.fastcompany.com/tag/raul-perez">Raul Perez</category>
 <category domain="http://www.fastcompany.com/tag/innovation-2">Innovation</category>
 <category domain="http://www.fastcompany.com/tag/leadership-2">Leadership</category>
 <category domain="http://www.fastcompany.com/tag/worklife-2">Work/Life</category>
 <pubDate>Wed, 17 Sep 2008 01:30:54 -0400</pubDate>
 <dc:creator>Arianne Cohen</dc:creator>
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