The way it felt to read a book 400 years ago is almost gone today, and for more than reasons than the obvious ones. The swoops and rhythms of ancient typography have been all but lost in an age of modern digital fonts and utilitarian book design. But Scott-Martin Kosofsky and Matthew Carter have produced an astonishing corrective, in the form a fresh new type mined from the pages of a 16-century Hebrew tome.
[Read the accompanying story in Tablet magazine here]
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