What's the difference between Crank 2: High Voltage and Rushmore? Depends who you ask, and there's no accounting for taste. (I love both, for what it's worth.) But what if there were a way to quantify the pure cinematic DNA of any film--using signals such as shot length, amount of camera movement, color palette, and more--and distill it all into a visual "fingerprint" that can be taken in at a glance, and compared instantly with any other film?
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