Dan Wieden, cofounder of Wieden+Kennedy, is sure that John Jay, his agency's global executive creative director, does work related to advertising. He just can't quite describe it. Jay commutes -- between the shop's offices in Tokyo, Shanghai, London, and Amsterdam, where he identifies the most creative local people in art, music, and technology. Jay unearths -- what's new, exciting, and bubbling up on the edges of places as unlikely as Delhi and Detroit, so he can feed that culture into the hive mind of the Portland, Oregon -- based powerhouse. (No wonder Advertising Age noted W+K's "sense of current culture" when it named the shop Creative Agency of the Year.) And in his free time, Jay runs his own company, Studio J. Its latest project: "The Grove," a proposed blockwide "art hostel" for young global creatives -- musicians, filmmakers, artists, designers, hackers -- that he's developing near the front gates of Portland's old Chinatown with Ace Hotel cofounder Alex Calderwood and Goldsmith Blocks LLC. But the veteran ad man, who's worked on campaigns for Nike, Uniqlo, and Target, is just getting started. "I consistently try to connect to the greater cultural world," he says, "in order to help make W+K a catalyst for innovation on a global scale in areas outside of what used to be called advertising."
"Off the grid" is often a mental state. One place where I can go and hide from the mundane of the day to day, a place where you can just lose yourself is a quiet little place called New York City.
Yes, it's my old hometown and I know it well but New York City continuously offers the new... mixing cultures and social exchange through a diversity of people and ideas that is hard to experience anywhere else in the world. New York has a proactive spirit that unabashedly celebrates success and yet offers you the freedom to create as you wish. You can lose yourself anonymously in Brooklyn, on a sofa at the Ace Hotel with strangers or in the vast catacombs of the Metropolitan Museum.
It is not simply about time but the quality of experience. I have my private bars and cafes in the cities where I work, whether Tokyo or Shanghai... one actually has a secret code at a hidden door that changes nightly. There are public places that I regularly wander through by myself in Portland, New York, or Milan. Being 'off the grid' can be momentary... but if it's also inspiring, the affects can be forever.