As the model begins to take shape, the designers stand back and cast a critical eye on the process. To fine-tune a car's large, gestural surfaces, the designers communicate in a vernacular that they've dubbed "Banglish": a combination of German, English, Italian, onomatopoeia, and ultrademonstrative hand gestures. They spend hours debating whether there's enough "scccmt" in the lines -- that is, whether the lines need to accelerate more. Bangle is particularly concerned with the "visual energy" and tension in a car's surfaces, and he will use a series of plucked-string sounds ("ding-di-ding, ding ding") that rise in pitch to imply changes of tension in a line. "There's no single language that can express what we're trying to do," says Boyke Boyer, who is unquestionably the king of onomatopoeia. "So we make up our own language."
Bangle puts it another way: "The definition that semanticists use for 'design' is meaning. Where there is meaning, there is design."
Bill Breen (bbreen@fastcompany.com) is a Fast Company senior editor.
Recent Comments | 5 Total
September 16, 2009 at 6:06pm by affek rahman
propelent agent crusade to ultimate destination
Mengembalikan jati diri bangsa
Mengembalikan jati diri bangsa
kenali dan kunjungi objek wisata di pandeglang
October 1, 2009 at 2:41am by Mike Oswell
Thanks ever so much, very useful article.
Mengembalikan Jati Diri Bangsa
Kenali dan Kunjungi Objek Wisata di Pandeglang
Oes Tsetnoc
Oes Tsetnoc