
From left, Erica Eden, Agnete Enga, Yvonne Lin, and Whitney Hopkins are pushing for designs that reflect what women really want. | Photograph by Christopher Sturman
Boobs. The Femme Den talks about them easily and often -- and about the challenges they present to designers. Backpack makers don't seem to have a clue what to do about boobs. Ditto designers of unisex hospital scrubs, famous for their gaping V-necks. "One surgeon told me there wasn't a woman at the hospital whose boobs he hadn't seen," says Femme Den member Whitney Hopkins.
A design engineer at Smart Design, Hopkins is also one of four members of the Den, an internal collective at the firm that's devoted to thinking about the bodies and brains of women and how to design -- smartly -- for them. I ask the group, which consists of Hopkins, Agnete Enga, Erica Eden, and Yvonne Lin, if that means razors and sports bras or if it means rethinking everything. "Both," they answer in unison, from a nook of Smart's loftlike Chelsea offices. Women are not a niche market, they insist ("No one likes to be targeted," sniffs Eden), but companies should also be careful not to confuse equality with sameness.
"When most people think of designing for women, they automatically think of tampons and birth control," Lin says. (It doesn't help that in industrial design, females make up just 20% of the field.) "Even when a lot of companies think that a product is for both genders, in reality they're just designing for men. Design is male-biased. Designers are working with male procedurals, probably going back to the beginning of time." Now, the Femme Den is looking to inject some femininity into those procedurals, everywhere from U.S. Army bases to Target, BP, and Nike.
Like most things at 30-year-old, 130-member Smart Design, the Femme Den bubbled up from an interesting problem. In 2005, Nike's women's watches weren't hitting sales expectations. The all-male design team hired two Smart female staffers (they would become founding members of the Den), who discovered that Nike's target demographic was begrudgingly opting for clunky men's watches because they offered more athletic features. When Nike beefed up its women's watches' capabilities and fine-tuned a sleek, sporty aesthetic, sales quickly boosted. "It was eye-opening," says Enga.
As the group took shape, Smart Design cofounder Dan Formosa (affectionately dubbed "Femme Dan") encouraged the women to "think radically." They began gathering on weekends, eventually taking their name from a cheekily labeled file folder. When the Femme Den was accepted to the International Conference for Universal Design, in Kyoto, Japan, in 2006, the underground gaggle came out to the world.
The Femme Den isn't a separate division at Smart Design. Instead, Hopkins, Enga, Eden, and Lin work on shifting teams, deliver in-house presentations, write white papers, and infuse the firm with their ideas. And as more companies realize the potential in the female market -- a recent study showed that women influence 80% of household purchases -- the group is added ammunition for attracting clients. "If you talk about the differences between men and women at a corporate human-resources meeting, you'd be fired or sent to diversity training," Formosa says. "But when we cover that same ground with large corporations, the discussion just lights up. There is so much need there, it hits a nerve."
Companies recognize the need, but most are clumsy -- if not patronizing -- in their attempts to address it. This often leads to what the Femme Den calls the "shrink it and pink it" reflex, the kind of mindless design that produces such works of genius as mini pink tool kits and Dell's pastel-saturated Della Web site, stocked with tips about "finding recipes" and "counting calories." (Dell dumped Della within two weeks of its launch.) What women really want, the Femme Den argues, is intuitive design. In a Yale University study, 68% of men asked to program a VCR using written instructions were successful, compared to just 16% of women. That doesn't mean women are less intelligent than men (please), but that they're less tolerant of complicated interfaces -- more willing to skip new tech than to slog through manuals. "Men will walk into an electronics shop and look at the white cards that list the features. Women will pick up the cameras, flip them around, and look at the buttons," Lin says. "They want to know: Is it intuitive?"
At the Consumer Electronics Show in 2006, only 1% of women surveyed felt gadget makers have them in mind during the design process. But when women are factored in, everyone -- including businesses -- can benefit. When Pure Digital Technologies hired Smart Design to craft a camcorder, the Femme Den members of the team urged Pure Digital to put ease-of-use at the top of its priority list. The Flip camera, with just seven buttons despite its brawny tech, sold 1.5 million units in its first 18 months and drove Cisco's $590 million acquisition of Pure Digital earlier this year. Men love the Flip too, by the way.
Recent Comments | 6 Total
September 18, 2009 at 12:02pm by Mary Dean
You summed it up when you said, "equality doesn't mean sameness." I'll quote you the next time I'm asked to talk about the many mistakes brands make when marketing to women. A very similar situation to the one you've described exists in the advertising world. Consider this: As you said, women make 80% of all consumer purchase decisions, yet 70% of women feel marketers "don't get them" and 35% are actually offended by the advertising that seeks to entice them. Why is most advertising failing so miserably with the world's most powerful consumer? Could it have something to do with the fact that only 3% of the Creative Directors at ad agencies are women?
I believe it does.
The problem is that what appeals to male creative directors, is often vastly different from what appeals to the average female consumer.
The result can be advertising that appeals to no one.
However, one of the most harmful results (beyond the negative stereotypes that are often created) is that the client gets short changed. This, over time, has contributed to the distrust that many clients have for agencies in general and the creative department in particular. Righting this whole situation will take more than honest conversation, but smart articles like the one you just wrote sure do raise the level of dialogue. Thank you.
September 25, 2009 at 3:49am by marieke vanderpoel
Please fact check this article. Yes, men love the flip, because it was designed by some very intuitive ones, who know how to tune into target markets. I know them very well and being a feminist, I truly hope femme den has nothing to do with the fact that this piece of information is being distributed.
September 28, 2009 at 11:27am by Chauncey Zalkin
I think it's fantastic that your company gets it and allows you to do this. It's about time women start to really listen to women and in turn deliver more intuitive backed by research insights to truly solve for details specific to women. As an ethnographer and brand strategist coming from the ad world (previously), I found it truly frustrating to see this ignored time and time again. I would like this level of listening and insight to also be applied to the so-called womens television out there. Also, see Andrea Learned who also wrote about 'pink.' I live in Barcelona by the way, run this blog on female creators and creative entrepreneurs (below). www.girlonthestreet.com/whatwomenmake
September 30, 2009 at 8:23am by chloé Mopi
Really interesting, thanks for this article :)
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November 21, 2009 at 5:03pm by jennifer park
Whenever i see the post like your's i feel that there are still helpful people who share information for the help of others, it must be helpful for other's. thanx and good job.
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