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Shvo Motion

By: Linda TischlerWed Dec 19, 2007 at 8:17 AM
Schvo Motion

One man's real-estate vision quest, and the $15 billion portfolio he's building along the way.

Schvo Motion


Schvo Motion


Tabula Rasa Michael Shvo on the East River, Long Island City. He plans to carve out a piece of the skyline for himself. And he just might pull it off.

Martha acolytes might argue that point. Armani fans, probably not so much. And that's what Shvo is counting on: a healthy pool of style-dependent, restaurant-hopping young buyers willing to pony up between $680,000 and $4.5 million for a minimalist condo in a building dressed by Armani/Casa, the home-furnishings arm of the fashion empire.

The building is, to date, the most fully realized example of Shvo's strategic vision. Indeed, the sales office at 20 Pine makes the Prada store in Soho look a little sketchy. The cavernous 8,000-square-foot space is furnished like a massive living room, with cozy conversation areas and seductive lighting. Receptionists, armored in Armani, sit before a towering 28-foot-high bookcase crammed with an impossible number of oversized art books. Nooks along the perimeter allow potential buyers to view floorplans on plasma screens and get real-time sales information. In an adjoining room, a small replica of the Armani catwalk in Milan bisects a space where video loops detail the neighborhood, the health club, and the concierge service. A life-size model of a kitchen and the bathroom, which features an exotic dark stone--galaxy schist from India--complete the presentation.

If it all seems a little Milan-by-way-of-Mulan, it should: "Disney's been my model since I was 7," says Shvo. He confesses that he spent a month in the Orlando park when he was in his twenties, just soaking up ideas, and that he still drops by regularly for inspiration. (Tom Connellan's book, Inside the Magic Kingdom, is required reading for new hires.)

Shvo's trick has been to cross-pollinate Disney's slavish attention to detail with the brand experience you might have shopping for a high-end Beemer, and roll it out in the housing market. "The truth is that real estate is the ultimate luxury brand," he says. "After all, it's the single most-expensive purchase you'll make in your life." Shvo is hardly the first to make that observation. Donald Trump, for one, has built an empire around loud marble and a big brass nameplate. But while Shvo venerates Trump as a master marketer, "Donald thinks his brand can be multiplied 500 times, and it will never be diluted. I disagree. I don't believe you can create greatness in mass. Every project we handle is bespoke, a custom job.

"In that sense, we're the Ferrari of the business." In the Wonderful World of Shvo, modesty is weakness.

According to luxury-marketing expert Michael J. Silverstein, author of Trading Up: Why Consumers Want New Luxury Goods … and How Companies Create Them, Shvo is a "segmentation guy." His technique is to perform a demographic presort of the market, then develop product strategically marketed to particular niches. "He's like the guy in the bar who can throw three bull's-eyes at the dartboard." Trump, on the other hand, has one shtick. "For every one he appeals to," Silverstein says, "there's one he doesn't. With a microsegmentation strategy, if you're certain the applicable universe is big enough, you have a winning formula."

The formula--well understood by commercial-real-estate consultants who know to site Prada on Rodeo and its more youthful spin-off, Miu Miu, on Melrose--is simple: the right brand, the right location, and the right product for the right customer. ("That's the magic," Shvo says. "It's what we get paid millions to do.") The fact that it has been applied so rarely to urban residential property probably has less to do with unevolved thinking than with a long boom that made sophisticated marketing irrelevant. But now, in tighter times, it's becoming table stakes for high-end condos.

And it's trickier than it looks. Gwathmey's Astor Place project, for example, while architecturally stunning, was a bad fit for the boho neighborhood in which it was sited. "I love the East Village," says Curbed's Steele, "but if I had $10 million to spend, I'm not sure I'd want to be stepping outside to skateboarders every morning." Similarly, the ultra-high-end conversion of the Stanhope Hotel on Fifth Avenue landed with a thud when buyers balked at paying upward of $10.5 million for condos with déclassé 9-foot ceilings.

Misfire on one component of the algorithm, in other words, and your next building may be fronted with golden arches.

"The precision required for luxury pricing is more significant than in recent memory," says Jonathan Miller, CEO of appraisal firm Miller Samuel. So, as Manhattan condo inventories build, Shvo must prove that his microsegmentation instincts are the best in town. Even with a staff cherry-picked from the world's top luxury marketers--Calvin Klein, Brioni, Dolce & Gabbana--that's a daunting challenge.

From Issue 113 | March 2007

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Recent Comments | 3 Total

September 25, 2009 at 12:15am by Christopher Jeschke

wow interesting!

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