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BY Ne Autograph | 02-03-2010 | 1:42 PM
This blog is written by a member of our blogging community and expresses that member's views alone.
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Diana Ross shone as Billie Holiday, coming up from humble beginnings
and making her way to the top. There was a lot of focus on her heroin
use, as it was her demise. I thought the formula was inappropriate for
the movie Ray, wherein Ray Charles' heroin use is given equal or
greater weight to his music. While Billie Holiday was cut down in the
prime of life, Ray Charles kicked his habit and had many productive
years throughout the rest of his long life. Ross sang her own songs, as
do her contemporary counterparts, but few could give the performance
she gave.

Ultimately, Avatar isn't a true science-fiction film -- one
that brings some imagination to bear about future societies and
civilization, utopias or dystopias -- but a metaphor for a current
situation. Setting a metaphor in space, even at a cost of $300 million,
isn't vision; it's a copout.

Ne Autograph Movie Billy
Dee Williams, unfortunately only known to most people as Lando
Carlrissian and the spokesperson for Colt 45 malt liquor, played the
male lead in a follow up to the previous year's Brian's Song, which may
be the best made for TV film ever, and before his part in Bingo Long's
Travelling All-Stars and Motor Kings, a rare look at the world of
barnstorming baseball teams in the days of the segregated major
leagues. Williams turns in these fine performances, then takes a role
in The Empire Strikes Back, but then his career takes a downturn to
films like Snoop Dogg's Hood of Horror.

Lady Sings The Blues won no awards at all. Diana Ross was
nominated for Best Actress, but was beat by Liza Manelli for her role
in Cabaret. Pryor didn't stand a chance to get nominated with James
Caan, Robert Duvall, and Al Pacino all nominated for their roles in The
Godfather. There were other nominations for the film: Best Art
Direction, Best Costume Design, Best Music, and Best Writing, But it
didn't win.

About Ne Autographs

Let the Right One In (2008)

If I could see only one vampire movie ever again, or one
coming-of-age movie, both would be Tomas Alfredson's film of John
Lindqvist's script of his own novel. (Which is also to say that,
Richard Jenkins notwithstanding, I can do without the forthcoming
American remake.)

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