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downline. That is an amazing number.
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Best known for his work as the wry frontman for the Magnetic
Fields, Stephin Merritt's music and lyrics for the off-Broadway version
of Neil Gaiman's "Coraline" officially debuted last night (June 1) in
lower Manhattan at the Lucille Lortel Theatre. The production has been
in previews since May 7 and is scheduled to run through July 5.
"Coraline" has been a wildly popular novella and film, but this
version adds a musical spin to the story of a young girl who finds a
portal to an alternate world. Merritt's score and lyrical compositions
are used throughout the play, often pairing the actor's voices with
eerie combinations of piano, toy piano, and prepared piano (an
instrument with various objects, like tin foil and playing cards,
attached to its strings).
While the story remains faithful to the original, Merritt's lyrics
retain the wittiness that has lined his work in the rock worlds, but
also add a new dimension to the play. The songs are used as story
devices- and Merritt's stripped down, simplistic presentation creates a
creepy ambiance. The songs are either told from protagonist Coraline's
perspective or from the perspective of the cast around her singing
together.
This isn't the first time Merritt has shown interest in composing
and adapting music for another medium. His band the Gothic Archies
wrote and recorded music for the audiobook series of "Lemony Snicket's
A Series of Unfortunate Events." Nonesuch released a compilation of
Merritt's Lemony Snicket compositions in 2006 called "The Tragic
Treasury: Songs From A Series Of Unfortunate Events." Merritt has also
collaborated on three other musical theater productions this decade
("Orphan of Zhao," "Peach Blossom Fan," and "My Life As A Fairy Tale")
for which Nonesuch also released a compilation in 2006 entitled
"Showtunes."
Within the "Coraline" program, playwright David Greenspan praises
Merritt's work by saying he's "a wonderful story-teller. He is able, in
song, to not only develop character and advance plot, but to create
moments of emotional expansion."
One of Lady Gaga's early supporters was Akon. Not only did he sign
the reigning disco queen to his record label, Kon Live Distribution,
but he has also lent his vocal talents to her breakout hit "Just
Dance."
And now that Gaga is a household name, he couldn't be happier to
see her ruling charts and dance floors throughout the world. "She's
incredible," he told MTV News. "That's my franchise player at the
moment. Gaga's been so incredible."
Akon says Gaga's rocket launch to fame is due to her industrious
work ethic, and he thinks that every one of her hits is well-deserved.
"At this point, she deserves every bit [of fame]," he said of the
singer, who herself credits the gay community for helping make her
successful. "If anybody went through grassroots, it was Gaga."
While the mainstream has been discovering Gaga via radio play and
her appearances on "Dancing With the Stars" and "American Idol," the
hip-hop community has also been tuning in, especially after Kanye West
reimagined her song "Poker Face."
"I think she's a magnate to the industry in general," he said about
Gaga's being embraced by the hip-hop world. "She's brave. She's fresh.
She's different. She's bold. She don't give a damn. You gotta take her
as she is. That's the beauty of it. You're forced to like her the way
she is without no extra stuff added."
And it's her no-nonsense attitude that makes Akon love her so much.
"She's like a sister to me," he said. "That's like my girl. She's right
here, in a headlock!"
Brandy is breaking out her checkbook to put the worst day of her life behind her.
The R&B songbird has reached a settlement in the wrongful-death
lawsuit brought on behalf of the children of the woman killed in a
December 2006 multicar collision involving the former Moesha star.
According to settlement documents obtained by E! News, the kids—Mrwan and Kareem Mohamed—will each receive $300,000.
The boys, who were then 15 and 11, were in the family's Toyota
Corolla when it was struck by Brandy's Land Rover, killing their
mother, Awatef Aboudihaj.
There was no immediate comment on the settlement from Brandy's lawyer or publicist.
Three other suits were filed against Brandy (last name: Norwood) in
the wake of the accident: one by the victim's husband and the boys'
father, Marouane Hdidou, who has turned down a $1.2 million settlement
offer; another $50 million claim by Aboudihaj's parents (which faces an
uphill battle in court since only the husband, not parents, of a victim
are allowed to sue under California law); and a third by another man,
Donald Lite, who sustained "serious and permanent injuries" in the
smashup.
Brandy, 30, launched her own legal salvo against another motorist
involved in the crash, accusing Mallory Ham of negligence and blaming
her for causing the chain-reaction pileup.
The California Highway Patrol recommended a misdemeanor
manslaughter charge be brought against the singer-actress, but
prosecutors opted not to press charges due to lack of evidence.
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